Hm, while we talk about music...
What do you think about that one?
Кипелов - Я свободен (Клип) - YouTube
The lyrics are the main part, of course.
I remember back when i knew no english, i liked a bunch of western songs just for the music in them.
Some of them no longer sound right, now that i can understand them.
Vice versa with the local ones - it's usually the lyrics rather than the music.
So i wonder what does it sound like when you can't hear what is it about (and what do you think he is singing about?)
Sorry, I did a bit of a search for the
lyrics . They did not surprise me, really, as the "complexion" of the song's delivery telegraphed the general drift of the theme. BTW, where are those mountains? Hindu Kush?
My mother and I used to play a game of trying to figure out what were the themes of songs in a foreign languages. She eventually learned the basis of Spanish that way - mostly through Roberto Carlos, which I grew sick of eventually - and went on to pefect it with practice. And I got a grasp of Hindi (her co-mother tongue, as she was born and grew up in India), though I
did not go on to perfect that language :lol:. No necessity, as there was in her case.
Injecting incongruity between a song's lyrics and the style makes for a humorous song. Think of Cheech and Chong's rendition of "Rudolph the Red Nosed Reindeer", sung Sex Pistol's punk style.
---------- Post added at 12:05 PM ---------- Previous post was at 10:25 AM ----------
That said, and thinking about it a bit with the aim to shoot down my own conjecture;
I would hardly have expected the song in Russian to be about a guy going out looking for trouble at night with a baseball bat in hand, but it is because its delivery is similar to, for example, Lynard Skynard's "Free Bird", of which it is practically an analogy.
I do believe that this "predictability" is based on experience, and is what makes some lyrics/style combinations incongruous, as they would be out of our scope of experience. I would hazard to guess that similar learning of behaviour patterns through external manifestations or indicators of them is employed by people with non-disabling levels of autism who manage to integrate with little problem, cases in which detection of mood nuances are not intrinsic. Similarly, teaching the "emulation" of fear to someone who has damage to their amygdala, and thereby no "true" fear (there was at least one known case of that).
In the case of the "music mood guessing game", it was subliminal learning of these patterns while using music as an instrument of andragogy to another end, which made them eventually familiar; learning a language.
So yeah, I do not think I am at all right in the first instance of the post. Say there was an alien race that made music; we would most probably get it all wrong, where attempting to determine what they were singing about was concerned. Different
Machina.